March 27, 2012
6 March – I’m not familiar with Laura Marling, despite her being very popular with the media, but my friend has a spare ticket so I agree to go along and see her at the Leeds O2 Academy.
The audience clearly love her but, while she’s not unpleasant, I find her unremarkable. To my ears she sounds too much like other female singers, particular Joni Mitchell, and I feel she needs to forge a more distinctive style.
One thing she does do with which I agree whole heartedly, she refuses to play an encore. She says they are an affectation and she’s right.
18 March – As our belated Christmas present from Laura and Brian the GLW and I join them to see The Civil Wars at Leeds Metropolitan University. The show has been moved from the original venue The Wardrobe due to ticket demand and with good reason. The place is packed!
Their sound is just their gorgeous harmonies,underpinned by John Paul White’s guitar. They are fine songwriters and perform most of their debut album Barton Hollow. In addition they perform excellent covers of Portishead’s Sour Times, Michael Jackson’s Billie Jean, slowed down to a soulful shuffle, and Leonards Cohen’s Dance Me to The End Of Love.
There are echoes of other Americana artists, particularly Chatham County Line, but unlike Laura Marling they bring something of themselves.
November 8, 2010
The 31 August is my birthday and wedding anniversary and so my GLW agrees that we can make a trip to Sheffield to see Simone Felice.
The Rude Shipyard in Sheffield is an interesting venue, a first floor room above a cafe in a converted end-terrace house. So it’s small. Very small. The capacity is around forty people and, as we’ve got there early, we’re near the front and no more than about six feet away from Simone. It’s a rare opportunity to see such a talented performer in such intimate surroundings.
A collection of The Duke & The King tracks, one or two Felice Brothers songs and fine covers of the Neil Young classic Helpless, Tom Waits Ol’ 55 and a snatch of Free Fallin’ by Tom Petty.
An excellent show, a sense of which can be gained from the live CD Live From A Lonely Place available from his website.
August 24, 2010
Kris Kristofferson is a legend and tonight he’s playing The Bridgewater Hall. As a songwriter he’s written some classics; Help Me Make It Through The Night, Me And Bobby McGee, Sunday Mornin’ Comin’ Down, Loving Her Was Easier (Than Anything I’ll Ever Do Again) and For The Good Times. And the audience love him so why do I leave feeling disappointed?
Well, I enjoyed the classics as well as anyone but the rest of the evening is strangely lacking. The show is one paced and, frankly, in my view the voice has gone! At 74 and after almost a lifetime in music and films Kris must have a fund of stories second to none, so why not share them and inject some pace?
All in all, a disappointment.
August 24, 2010
The Handsome Family are a band I’ve always thought I should like so when they play at The Hyde Picture House, promoted by the excellent Hee-Haw Sessions, I decide to take the plunge.
We’re promised a number of short films by Guy Madden as the ‘support’. Somehow someone manages to put the wrong film on and we have to sit through an interminable work that is stopped half way through so that we can actually see The Handsome Family. My only comment is that I won’t be rushing to a cinema anytime soon to see any more of Mr Madden’s work.
Brett and Rennie Sparks are playing as a duo tonight. Brett plays guitar and conjures up rhythms from a laptop while Rennie variously plays bass and banjo. I wish I’d been familiar with their songs but two stood out, Weightless Again and The Giant Of Illinois. After the show I bought their new CD, Scattered, a collection of outtakes and tracks recorded for compilations, which I heartily recommend if only for their version of Just Like Tom Thumb’s Blues.
I’ll certainly try to catch them when they return to Leeds.