In their eight year recording career The Icicle Works only troubled the Top 40 chart compiler once, with Love Is a Wonderful Colour, despite releasing some excellent singles. There is however a large demand to hear their music live and the Brudenell is close to being sold out.
The current version of the band consists Ian McNabb, bassist Roy Corkill, keyboard player Richard Naiff and drummer Matthew Priest, also of Dodgy. The only member of the original line up is McNabb and a more accurate description of the show might be ‘Ian McNabb and Friends play the songs of The Icicle Works’.
Despite this they’re excellent musicians and it’s a great show, lasting just over three hours, and released from the truly appalling production that can make their early albums difficult to listen to the songs shine. They play every Icicle Works song you would want to hear.
Look out for them when they tour again.
In 1981 Bruce Springsteen & The E Street Band toured Europe, with 16 dates in the UK, in support of The River, which had been released the previous October.
Now, thirty years later, they’re back playing 4 UK dates following the release last December of The Ties That Bind, a four CD/three DVD collection that puts together a remastered version of the original album, a version of the planned single album and 22 outtakes and alternative versions.
The show starts at 7.50 pm, as I scramble to my seat following traffic hold ups and a ticket mix up. It ends 3 hours 15 minutes later. As with every Springsteen show I’ve seen I would have been happy for it to have been longer! The E Street Band, cut back to the core line up plus a violinist, are tremendous musicians and bass player Garry W Tallent gets my vote as the coolest man in rock. Everyone should see Bruce Springsteen at least once in their lives.
Set List: Atlantic City; Murder Incorporated; Badlands; The Ties That Bind; Sherry Darling; Two Hearts; No Surrender; Santa Claus Is Coming To Town; Hungry Heart; Out in the Street; Darkness on the Edge of Town; Crush on You; You Can Look (But You Better Not Touch); I Wanna Marry You; The River; Point Blank; Johnny 99; Darlington County; Working on the Highway; The Promised Land; Waitin’ on a Sunny Day; Because the Night; The Rising; Thunder Road
Encore: Backstreets; Born to Run; Glory Days; Dancing in the Dark; Tenth Avenue Freeze-Out; Shout; Bobby Jean; This Hard Land
It’s 20 years since Everything Must Go was released and to mark the fact the Manics are touring and playing the album in its entirety. Tonight’s show happens to be on the anniversary of the actual release date.
In my view there’s a real problem with playing whole album shows and that is that choosing the running order for an album is completely different to selecting a live set. I think, with that caveat, the first part of the show worked reasonably well, despite a slight impression that the band weren’t entirely convinced!
The second half was excellent and I was pleased to hear NatWest Barclays Midlands Lloyds, from Generation Terrorists, particularly as I’d been listening to it earlier in the day. A standout was the cover of Fear Factory‘s Feels Like Heaven. It was also interesting to hear Nicky Wire reminiscing about playing the Duchess Of York pub/venue back in 1991.
I don’t like arena shows but sometimes what choice do you have if you want to see somone? As arenas go Leeds is the best I’ve been to.
Part One: Elvis Impersonator: Blackpool Pier; A Design for Life; Kevin Carter; Enola/Alone; Everything Must Go: Small Black Flowers That Grow in the Sky; The Girl Who Wanted to Be God; Removables; Australia; Interiors (Song for Willem de Kooning); Further Away; No Surface All Feeling
Part Two: Ocean Spray; Raindrops Keep Fallin’ on My Head; Motorcycle Emptiness; Walk Me to the Bridge; Your Love Alone Is Not Enough; Nat West-Barclays-Midlands-Lloyds; You Stole the Sun From My Heart; Roses in the Hospital; Show Me the Wonder; (Feels Like) Heaven; You Love Us;
If You Tolerate This Your Children Will Be Next
Anyone who went along to see Father John Misty expecting to see a continuation of his work with Fleet Foxes would have been largely disappointed. The two albums released under this name by Josh Tillman, Fear Fun and I Love You, Honeybear, have their acoustic/folk moments but the songs played live with a six piece band become full on rockers. The songs gain quite a bit from the change but I find Tilman’s performance, described by The Guardian as “Jim Morrison’s head on Jarvis Cockers’s body”, disconcerting. It’s as though he wants to be a rock god but hasn’t quite worked out how yet. It’ll be worth seeing what progress he’s made next time he tours.
Equally interesting were the support, Texan band Khruangbin, who play largely instrumentals, only the final song has vocals. The sound is a strange mix of psychedelia and funk. I’m really looking forward to seeing them again so I can decide if I like them or not!
Father John Misty Set List: Everyman Needs A Companion; Hollywood Forever Cemetery Sings; When You’re Smiling And Astride Me; Only Son of the Ladiesman; Tee Pees 1-12; Nothing Good Ever Happens At The Goddamn Thirsty Crow; Funtimes In Babylon; Nancy From Now On; Chateau Lobby #4 (In C For Two Virgins); I’m Writing A Novel; Now I’m Learning To Love The War; Bored In The USA; Holy Shit; True Affection; This is Sally Hatchet; I Love You, Honeybear.
Encore: I Went To The Store One Day; Closer; The Ideal Husband
Not many groups can claim to have created a musical genre but The Long Ryders could stake a claim for inventing Alt-Country, along with Jason And The Scorchers. Their influence can be heard in the sound of The Jayhawks and Uncle Tupelo as well as many others.
I first saw them on the Old Grey Whistle Test in 1985 when they performed Looking For Lewis And Clark and Lights Of Downtown, two songs that are still among my favourites. They originally split up in 1987, having released 3 albums, and despite occasional reunions I’ve never had the opportunity to see them.
Now they’ve released a box set, Final Wild Songs, composed of all the material from their three full-length albums, their one EP, various demos and rarities, and a previously unavailable 15-song performance from a Benelux radio appearance in March 1985. A tour to support it includes a show in Leeds so I’m finally going to get to see them.
They start their 20 song setlist with Run Dusty Run and end it 80 minutes later with Looking For Lewis And Clark. The audience, me included, absolutely love it. Alt-Country at it’s best and if they never tour again, which seems likely, then at least I got to see them before they went.
After 31 years of releasing records, many of them hits or fan favourites, it must be difficult putting together a set list. If you’re Paul Heaton and Jacqui Abbott, wanting to persuade the concert goer who only knows The Beautiful South or, at the older end of the demographic The Housemartins, to listen to the two excellent albums you’ve released since getting together as a duo in 2013 it must be even harder.
Tonight only a quarter of the setlist is from the period after The Beautiful South – one song from What Have We Become, eight from Wisdom, Laughter And Lines and nothing at all from Heaton’s three solo albums. I think that’s a shame because that means not hearing a lot of good songs.
Having said that the audience are treated to some lesser known Housemartin and Beautiful South tracks – Heaton says he hasn’t played Anxious for 29 years!
A great show then, excellent songs played by a first class band, what more could you want?
Support is from Trudy, a young three piece who have clearly never played to an audience of this size before. They hold their own and the tracks on their Soundcloud page are worth a listen.
Setlist: Wives 1, 2 & 3; Pretenders to the Throne; (Man Is) The Biggest Bitch of All; Have Fun; The Horse And Groom; Five Get Over Excited; Prettiest Eyes; Sundial In the Shade; The Queen of Soho; Old Red Eyes Is Back; I Don’t See Them; Anxious; Rotterdam (Or Anywhere); I’ll Sail This Ship Alone; The Austerity of Love; Good as Gold (Stupid as Mud): D.I.Y.; Happy Hour; Perfect 10; Caravan of Love.
Encore: A Little Time; Don’t Marry Her.
Encore 2: Heatongrad; You Keep It All In.
… a classic example of an artist who is loved by critics but doesn’t have a great deal of commercial success.
Although she never achieved a U.S. top 50 single, her highest position being No. 92, her songs were hits for other artists, particularly The 5th Dimension, Three Dog Night and Barbra Streisand. Despite releasing nine studio and three live albums in her lifetime she only had one Top 40 album, New York Tendaberry. A particular favourite album of mine is Gonna Take A Miracle, a collection of covers recorded with Labelle.
Laura died from ovarian cancer, aged 49, in 1997.
Here’s a Spotify playlist of some of Nyro’s song covered by other artists, finishing with her cover of It’s Gonna Take A Miracle, originally recorded by The Royalettes.